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John Kizy
John Kizy

Goa 2010 Tamil Movie 31 BETTER

Goa is a 2010 Indian Tamil-language romantic comedy film written and directed by Venkat Prabhu in his third directorial project. Starring his regular cast consisting of Jai, Vaibhav, and Premji along with Aravind Akash, Sampath Raj, Piaa Bajpai, Sneha, and the debutant Australian model Melanie Marie in other roles, the film is the first production of Soundarya Rajinikanth's Ocher Picture Productions. Actors Silambarasan Rajendar, Nayantara and Prasanna make guest appearances in the film, which features music composed by Yuvan Shankar Raja, whilst cinematography is handled by Sakthi Saravanan and the film is edited by K. L. Praveen and N. B. Srikanth.

Goa 2010 Tamil Movie 31


The film, which began pre-production work in August 2008, became highly anticipated before release due to the successes of the director's prior two films Chennai 600028 and Saroja. Filming began in April 2009 and took place in various locations: in the title location of Goa as well as in Pannapuram, Tamil Nadu and Langkawi, Malaysia with the latter being used due to the monsoonal season of Goa, forcing the team to relocate.[1] Before release, the film was given an adult rating by the Central Board of Film Certification, despite much contention from the team with the film also avoiding a court case in regard to the producer's loan.[2] The film released on 29 January 2010 to mostly positive reviews. The film was remade in Kannada language using the same title and released in 2015.

The plot begins in a remote village in Tamil Nadu named Pannaipuram. The director Venkat Prabhu wished to the god for the movie to launch. Samikannu (Premgi), the son of a karagattam artist named Karagattakkarar (Shanmugasundaram); Vinayakam (Jai), the son of a military man named Manickam (Chandrasekhar); and Ramarajan (Vaibhav), the son of the local bigwig Nattamai (Vijayakumar) and the village casanova are three rebellious youths who repeatedly attempt to flee their village and see the outside world but are usually caught and punished by the conservative elders. After being punished harshly, they attempt one last escape and succeed. The trio runs away to the town of Madurai, hoping to stay with Vinay's friend Azhagar.

In November 2009, additionally Nayantara was hired for a cameo appearance in the last scene of the film.[31][32] Reports indicated that she shot for the scene, involving herself and the lead cast, for one day without taking any remuneration as she was a "big fan of Venkat Prabhu's movies".[31]

The soundtrack, after several postponements, was finally released on 6 January 2010.[44] The album features 9 songs overall.[45] 18 singers have lent their voices for the songs, including composer Yuvan Shankar Raja, his father Ilaiyaraaja, his siblings Karthik Raja and Bhavatharini, his cousins Premji Amaran and director Venkat Prabhu,[46][47] S. P. Balasubrahmanyam,[48] K. S. Chitra and actress-singer Mamta Mohandas.[49]

The satellite rights of the film were sold to Sun TV. The film was given an "A" certificate by the Indian Censor Board., reportedly because of its content that "requires a mature audience",[50] while also describing it as a "path breaking entertainer which explores human sexuality very beautifully".[2] The film released with over 200 prints in Tamil Nadu.[2] The film's release, initially expected to happen in late 2009, got postponed several times. It was released on 29 January 2010 worldwide with Thamizh Padam and the controversial Jaggubhai.

The film opened to mostly positive reviews especially from the youth, who were Venkat Prabhu's target. But critics has mixed reviews at best, with some commenting that the second half seems rushed and was made to resemble a mix between a casino caper and a comedy film. On the opening weekend, it collected 11.2 million at Chennai alone.[51] The movie showed highly positive return and initially topped at the box office collections before becoming an average grosser.[52][53]

Jai Sampath is an Indian actor and musician working in Tamil films. The nephew of noted composer Deva & the cousin of Srikanth Deva, Jai had made his acting debut in a supporting role in Bagavathi (2002). In 2007, he successfully auditioned for a leading role in Venkat Prabhu's sports film Chennai 600028. His movie Subramaniapuram (2008) was also a big success, and Jai was praised for his performance.

Jai subsequently garnered more praise for diverse roles, including a villager on holiday in Goa (2010), a timid factory worker in Engaeyum Eppothum (2011) and a customer care executive in the romantic drama Raja Rani (2013), which became his biggest commercial successful film.[3] He made his debut as a singer in the film Jarugandi (2018).[4]

He was then seen in Venkat Prabhu's romantic comedy Goa (2010), where he played a villager on a coming-of-age trip to Goa alongside Vaibhav Reddy and Premgi Amaren. Jai's temporary ban from films had delayed the project and he once again grew a beard to portray his character of Ramarajan. Despite positive hype surrounding the film prior to release, it only won average reviews and collections at the box office. He appeared in Aval Peyar Thamizharasi with different looks throughout the film to reflect his character's growth, with the main ones being that of an eighteen-year-old boy and a twenty-eight-year-old man. He shed weight to sport the school boy look and later added weight and muscle to look a matured man in his late twenties for the film.[22] Critics lauded Jai's performance, citing: "he shows that he is in the process of grooming himself to become a well-rounded actor" and "that he can bring in complex emotions on his face at the drop of a hat", but the film did not fare well at the box office. Similarly, his performance in the romantic film Kanimozhi was described "as endearingly likeable" and that "he had come out with a natural performance", but the film failed commercially.[23] Discussing his five consecutive failure films, Jai admitted that during that period in his career, he had chosen to feature in films without considering the true scope of its potential success, only to avoid a long gap between releases. Since then, he has actively chosen to associate himself with big banner films rather than ventures by debut production houses in order to ensure that his films are well publicized prior to release.[8]

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